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Screaming Science Fiction


CoverHorrors from Out of Space

I have been asked on several occasions why I cross genres. In fact on one occasion I was asked why I "stagger" between them. But you know, that's how it was when I was coming up. I was seeing the movies, reading the comics, and I was into the pulp magazines; so that even before I knew what a "genre" was, it seemed to me that everyone was crossing them. Take a gander at those old EC Comics, you'll soon see what I'm getting at. The Haunt of Fear and Tales from the Crypt were "horror" horror, but a good many of the tales in Weird Fantasy were "fantasy" horror, and many of those in Weird Science were horror "SF."

Even H. P. Lovecraft—the Old Gent of Providence himself, known primarily for his superb horror stories—had mixed his genres: The Shadow Out of Time and At the Mountains of Madness in Astounding Science Fiction, for example. And then there was Ray Bradbury's wonderful Martian Chronicles: whimsical, yes, and written as only Bradbury can write them, but the horror undertones were there. In fact those stories were quite literally literary miscegenation, hybrids of all three species of our favorite fictions: Horror, Fantasy, and SF. And, I might add, classics at that.

It appears to my mind that a large percentage of spec­ulative and fantastic fiction benefits hugely from this miscegenation, the incorporation of horror motifs, and I'm not at all unhappy to admit that most of my weird fiction has at least an element of SF in it, and often a lot more than just an element. "Hard Science Fiction" it most certainly isn't; "weird science" it may well be—but so what? I've always believed that it's my job to entertain, not to edify, though I would like to believe that every so often along the way I may even have been "guilty" of a little of that, too. Anyway, here it is: a sampler of my Screaming Science Fict­ion from across the years, a large handful of my Horrors Out of Space.—Brian Lumley

Screaming Science Fiction is a full-length collection by horror master Brian Lumley, and includes a nearly 20,000 word novella ("Feasibility Study") appearing for the first time anywhere.

Cover Art by Bob Eggleton


ORDER Hardcover

This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.

First printing, January 2008

Subterranean Press
PO Box 190106
Burton, MI 48519
www.subterraneanpress.com
subpress@earthlink.net

All rights reserved, including the right to reproduce this book or portions thereof in any form.

Electronic version by Baen Books
https://www.baen.com

Printed in the United States of America

ISBN-13: 978-1-59606-042-5
ISBN-10: 1-59606-042-5

Copyright© 2006 by Brian Lumley

Dust jacket and interior illustrations © 2006 by Bob Eggleton.
All rights reserved.

"Snarker's Son," © 1980, New Tales of Terror, Ed. Hugh Lamb, Magnum, Methuen, (UK).
"The Man Who Felt Pain," © 1989, Fantasy Tales, Vol. 10, No. 2.
"The Strange Years," © 1982, Fantasy Tales, Vol. 5, No. 9.
"No Way Home," © 1975, F&SF, Vol. 49, No. 3, Mercury Press.
"The Man Who Saw No Spiders" © 1979, Weirdbook 13, ed. W. Paul Ganley.
"Déjà Viewer," © 2004, Maelstrom, Vol. 1, Calvin House.
"Feasibility Study," © 2006, appears here for the first time.
"Gaddy's Gloves," © 1991, "World Fantasy Convention Book."
"Big 'C,'" © 1990, Lovecraft's Legacy, ed. Weinberg and Greenberg, TOR Books, USA.


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