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Approaching Oblivion

Road Signs on the Treadmill Toward Tomorrow


CoverThe New York Times called him "relentlessly honest" and then used him as the subject of its famous Sunday Acrostic. People Magazine said there was no one like him, then cursed him for preventing easy sleep. But in these stories Harlan Ellison outdoes himself, rampaging like a mad thing through love ("Cold Friend", "Kiss of Fire", "Paulie Charmed the Sleeping Woman"), hate ("Knox", "Silent in Gehenna"), sex ("Catman", "Erotophobia"), lost childhood ("One Life, Furnished in Early Poverty") and into such bizarre subjects as the problems of blue-skinned, eleven-armed Yiddish aliens, what it's like to witness the end of the world and what happens on the day the planet Earth swallows Barbra Streisand. Oh yeah, this one's a doozy!

Cover Art by Leo & Diane Dillon



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This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.

Front Cover Illustration by Leo & Diane Dillon. Copyright © 1966 by Leo & Diane Dillon. Renewed, © 1994 by Leo & Diane Dillon.

First E-Reads publication: 2009
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Harlan Ellison website: www.harlanellison.com

No part of this book may be reproduced or transmitted in any form or by any means electronic or mechanical—including photocopy, recording, Internet posting, electronic bulletin board or any other information storage and retrieval system, or by any other method, means or process of embodying and/or transmitting information, text or the spoken word now known or hereafter devised without permission in writing from The Kilimanjaro Corporation, except by a reviewer who may quote brief passages in a critical article or review to be printed in a magazine or newspaper, or electronically transmitted on radio, television or in a recognized on-line journal. For information address Author's agent: Richard Curtis Associates, Inc., 171 East 74th Street, New York, New York 10021, USA.
 
All persons, places and organizations in this book- except those clearly in the public domain-are fictitious and any resemblance that may seem to exist to actual persons, places or organizations living, dead or defunct is purely coincidental. These are works of fiction.

SKU: ERBAEN0061

Copyright © 1974 by Harlan Ellison. Copyright © 1985 by The Kilimanjaro Corporation. Renewed, 2002 by The Kilimanjaro Corporation

APPROACHING OBLIVION is an Edgeworks Abbey® Offering in association with ereads.com.
Published by arrangement with the Author and The Kilimanjaro Corporation.
 
Harlan Ellison and Edgeworks Abbey are registered trademarks of The Kilimanjaro Corporation.

This edition is copyright © 2008 by The Kilimanjaro Corporation. All rights reserved.

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Foreword: "Approaching Ellison" by Michael Crichton, copyright © 1974 by Michael Crichton.
 
"1984 Introduction to the Introduction," copyright © 1985 by The Kilimanjaro Corporation.
 
"Introduction: "Reaping the Whirlwind," copyright © 1974 by Harlan Ellison. Renewed, 2002 by The Kilimanjaro Corporation.
 
"Knox," copyright © 1974 by Harlan Ellison. Renewed, 2002 by The Kilimanjaro Corporation.
 
"Cold Friend," copyright © 1973 by Harlan Ellison. Renewed, 2001 by The Kilimanjaro Corporation.
 
"Kiss of Fire," copyright © 1972 by Harlan Ellison. Renewed, 2000 by The Kilimanjaro Corporation.
 
"Paulie Charmed the Sleeping Woman," copyright © 1962 by Harlan Ellison. Renewed, 1990 by The Kilimanjaro Corporation.
 
"I'm Looking for Kadak," copyright © 1974 by Harlan Ellison. Renewed, 2002 by The Kilimanjaro Corporation.
 
"Silent in Gehenna," copyright © 1971 by Harlan Ellison. Renewed, 1999 by The Kilimanjaro Corporation.
 
"Erotophobia," copyright © 1971 by Harlan Ellison. Renewed, 1999 by The Kilimanjaro Corporation.

To the memory of
WALTER FULTZ,

the first editor to buy a book
from me: a good man, a fine editor,
a friend . . .
 
Who approached oblivion,
passed through it, and is gone,
for what reasons I do not know . . . .
 
Though I saw him seldom,
I miss him greatly . . . .
 
With luck, he's found peace
at last.

1974 Acknowledgments

I didn't do it alone. Others helped. Some in tiny ways they won't even remember. Others with encouragement, assistance, research and love. They will remember. Robert Silverberg, Jack Dann, Vicky Schochet, Stephanie Bernstein, Steve Herbst, Andrea Hart, Ben Bova, Damon Knight, Kate Wilhelm, Joe Haldeman, Ed Bryant, Jim Sutherland, Sam Walker, Helen D'Alessandro Hecht, Leo & Diane Dillon, Lynn Lehrhaupt, Art Frankel, Jim Wnoroski, Ed Ferman, Toby Roxburgh, Tim Seldes and Mike Seidman. And Leslie Kay Swigart, because I forgot to acknowledge her help with Again, Dangerous Visions. And, of course, as always, Bob Mills and Marty Shapiro, who are due for sainthood any moment. Gypsy da Silva copy edited this book in its manuscript stage with grace and insight and an attention to the primacy of the writer's creation that is rare as black diamonds in the publishing industry; and I love her shamelessly for it. Special thanks are due Lynda Mitchell, but that's none of your business.

1984 Acknowledgments

Some of the people named above I haven't seen in ten years Nonetheless, they were there when this book was new and the world was younger. Since that time, add to the list Gil Lamont and Sharon Buck and Sarah L. Wood and Jim Frenkel and Barclay Shaw. I wonder whatever happened to Lynda Mitchell? But that's another story.

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